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Kaden Forsberg believes PERSONALITY is the source of art. At home on the stage, set, rehearsal hall, and studio Kaden’s work focuses on AUTHENTICITY and FUTURE-ORIENTED optimism. His love of process and collaboration results in a career that crosses genres and positions him as both creator and performer. You are as likely to see him as an actor in THEATRE, FILM, and OPERA as performing original pieces with his classical-crossover trio VOLARE TENORS. Kaden’s guiding principle as an artist is said best by Oscar Wilde: It is what you read when you don't have to that determines what you will be when you can't help it
Recently, Kaden's career is marked by debuts. This includes his Citadel Theatre debut as Reuben in Almost a Full Moon, a workshop and presentation at Segal Centre (Jesse in One Day), a Canada’s Got Talent appearance with VOLARE TENORS, the finals of the Lotte Lenya Competition, and a return to country music roots with Chemainus Theatre's Classic Country Roads.
Some personal career highlights are working with Peter Hinton in Marie Clements' Missing as Devon and entering into film through Raum's The Garden of Alice (POV) as the March Hare and Card #2.
Kaden's professional performance career began in opera and classical music. International highlights include Rinuccio in Gianni Schicchi (Amalfi Coast Music Festival), Medoro in Orlando Paldino (Mozarteum), and a fellowship at the Aspen Music Festival. Some personal favourites are the Evangelist in Weihnachts-Oratorium (Okanagan Festival Singers); Charlie in Mary's Wedding (POV), Snout in A Midsummer Night's Dream (POV), and many many performances as the tenor soloist in Handel's Messiah.
*VOLARE TENORS: Adam, Kaden, and Taylor
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